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DOING
YOUR BEST:
At
an audition, judges are looking for someone with:
- A
good characteristic sound
- Correct
Technique: rhythm, pitches, articulations, alternate positions
- Good
intonation
- A
reasonable tempo
- AND
with good musicianship/interpretation (dynamics within dynamics, rubato
tempo)
STEPS
IN PREPARING AUDITION MUSIC (efficiently):
Concept of Sound:
- Listen
to numerous recordings of trombonists such as Joseph Alessi or Christian
Lindberg.
- Attend
trombone solo recitals at your closest university or college.
- Take
private lessons or attend master classes.
Technically:
- Look
up all definitions and markings on the music, such as Largo cantabile
or rin ƒ. Pencil in the translations.
- Get
a better understanding of the task ahead of you by sight reading the
piece to the best of your ability. (Play it at a tempo that allows
you to play approx. 80% of it correctly.)
- Find
appropriate alternate positions and breath marks. Write them in. (Make
changes as needed as you learn to play the piece better.)
- Play
it again with a metronome set very slowly, (at a tempo where you play
approx. 90% of it correctly.) Identify the measures where your mistakes
are. Bracket each immediately.
- Play
the metronome game for each set of brackets:
a.)
Set the metronome incredibly slow (maybe even a sub-subdivision).
This should be the fastest tempo that allows you to play the bracketed
measure(s) correctly. Play the brackets at this tempo ten times in
a row without a mistake. (Keep track of your tempos by lightly penciling
them in above troubled area.)
b.) Set the metronome up one notch (2-4 beats) and play the bracketed
measures 5 times in a row without a mistake.
c.) Repeat the process until you are up to tempo with step 2. If you
make a mistake, lower the metronome a notch and try again.
-
Play the entire piece again at a slightly increased tempo from step
4. Repeat steps 4 through 6 until the piece is up to tempo.
Musically:
Develop your concept of musicality. It is like learning a new language.
Listen to high quality musicians in any instrument, orchestra, etc. (Yo
Yo Ma, Wynton Marsalis)
- Decide what are
the musical directives on the page that should be noted or exaggerated?
(Dynamics, tempo changes, articulations)
- Decide what is
the character/style of this piece? Happy, sad, fun, etc.
- Write a plot,
story-line for the music.
- Decide what is
not on the page that I can add? (Dynamics within the written dynamics,
slight or dramatic tempo changes within the realm of good taste)
If
you would like to be added to the TSMP
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periodic notifications of new articles and updates to this website,
then please email
TSMP.
The Texas School Music
Project is a source for ideas and information concerning pedagogical
practices in the music classroom or rehearsal hall. The TSMP
is a service provided to all music specialists by the faculty
of the Department of Music
at Stephen F. Austin State University.
For questions about this site contact [email protected].
Copyright © 2002,
Department of Music at Stephen F. Austin State University
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