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Rehearsal Preparation
Score Analysis (Marking the
Score)
Practical Analysis
Organization of Rehearsal
Time
Rehearsal Preparation
Effective
rehearsals begin long before the downbeat! |
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Organize a plan -- write it down.
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Identify goals and objectives
for the performance and the scheduled rehearsals.
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Post repertoire to be studied
during any given period with a detailed list of instrumentation
for each work -- include any unusual instrumentation or transpositions
that may require more attention.
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Post seating assignments for
each work to encourage preparation of parts.
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Post a detailed schedule for
at least a two week period including specific literature and
time allowed for each work (this will prevent a student who does
not play every work from wasting time and it encourages mental
and technical preparation).
Score Analysis (Marking the
Score)
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Instrumentation and
transpositions
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Terms
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Tempi
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Meter changes
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Dynamics
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Identification of primary and
secondary melodic material
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Phrase analysis/cadences
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Formal structure/harmonic analysis
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Texture/balance
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Style (bowings, articulations,
breath marks)
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Ornamentation (trills, grace
notes)
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Unusual tonal effects
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Musical interpretation
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Historical and traditional practices
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Edition of score and parts (make
sure score and parts match)
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Rehearsal letters or numbers
Practical Analysis
Anticipate
problems and determine possible solutions! |
Organization of Rehearsal
Time
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Outline specific rehearsal routine.
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Identify literature and movements
to be rehearsed.
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Set the amount of time allowed
during a rehearsal on specific excerpts.
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Consider the overall rehearsal
structure.
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Opening:
announcements; tuning;
warm-up; review; development of technical skills -
Middle: specific excerpt work -
Closing: play through of large
sections of movements; continuity work; end rehearsal with students
feeling positive about their work
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Always be sensitive to the age
group and their appropriate attention span, concentration level,
room temperature, time of day, season of the year, general activity
level of students, and emotional mood of the group. -
Think on your feet -- a lesson
plan is useless if you are not communicating with that particular
group of students on their level.
A rehearsal
plan is always dynamic and may need to be modified as the rehearsal
progresses. |
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The Texas School Music
Project is a source for ideas and information
concerning pedagogical
practices in the music classroom or rehearsal hall. The TSMP is a service provided to
all music specialists by the faculty
of
the Department of Music
at Stephen F. Austin State University.
For questions about this
site contact [email protected].
Copyright ? 2002, Department
of Music at Stephen F. Austin State University
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