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Dr. Jeffrey Jacobsen

Score Study and Rehearsal Preparation

by
Jeffrey Richard Jacobsen, D.M.A.
SFA Assistant Professor of Music
Director of Orchestral Activities
Bass

Rehearsal Preparation
Score Analysis (Marking the Score)
Practical Analysis
Organization of Rehearsal Time

Rehearsal Preparation

Effective rehearsals begin long before the downbeat!

  • Organize a plan -- write it down.

  • Identify goals and objectives for the performance and the scheduled rehearsals.

  • Post repertoire to be studied during any given period with a detailed list of instrumentation for each work -- include any unusual instrumentation or transpositions that may require more attention.

  • Post seating assignments for each work to encourage preparation of parts.

  • Post a detailed schedule for at least a two week period including specific literature and time allowed for each work (this will prevent a student who does not play every work from wasting time and it encourages mental and technical preparation).

Score Analysis (Marking the Score)

  • Instrumentation and transpositions

  • Terms

  • Tempi

  • Meter changes

  • Dynamics

  • Identification of primary and secondary melodic material

  • Phrase analysis/cadences

  • Formal structure/harmonic analysis

  • Texture/balance

  • Style (bowings, articulations, breath marks)

  • Ornamentation (trills, grace notes)

  • Unusual tonal effects

  • Musical interpretation

  • Historical and traditional practices

  • Edition of score and parts (make sure score and parts match)

  • Rehearsal letters or numbers

Practical Analysis

Anticipate problems and determine possible solutions!

  • Rhythm

  • Intonation

  • Technical problems -- fingerings, range, tone

  • Style

  • Articulation

  • Tempo changes

  • Meter changes

  • Transpositions

Organization of Rehearsal Time

  • Outline specific rehearsal routine.

  • Identify literature and movements to be rehearsed.

  • Set the amount of time allowed during a rehearsal on specific excerpts.

  • Consider the overall rehearsal structure.

    • Opening:  announcements; tuning; warm-up; review; development of technical skills

    • Middle:  specific excerpt work

    • Closing:  play through of large sections of movements; continuity work; end rehearsal with students feeling positive about their work 

  • Always be sensitive to the age group and their appropriate attention span, concentration level, room temperature, time of day, season of the year, general activity level of students, and emotional mood of the group.

  • Think on your feet -- a lesson plan is useless if you are not communicating with that particular group of students on their level.

A rehearsal plan is always dynamic and may need to be modified as the rehearsal progresses.

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The Texas School Music Project is a source for ideas and information concerning pedagogical practices in the music classroom or rehearsal hall. The TSMP is a service provided to all music specialists by the faculty of the Department of Music at Stephen F. Austin State University. 
For questions about this site contact [email protected].

Copyright ? 2002, Department of Music at Stephen F. Austin State University