Mouthpieces
For general, everyday use, a Selmer
C* ("C-star") is a proven classic. Many professionals,
including myself, use this mouthpiece, or a variant of it (the C**,
for example) in classical playing, whether for solo, chamber, or
full-ensemble purposes. Some other popular
mouthpieces include the Selmer S-90 series, the Selmer Larry Teal,
the Rousseau series, or the Vandoren series of mouthpieces.
All
of these work well on all the members of the saxophone family, and some
companies will allow you to order several at once, try them for a few
days, and send back what you do not want (for a small fee, of course).
For jazz use, you have the
choice between hard rubber and metal mouthpieces. For
the less experienced student, especially one who does not practice
much, try to avoid the metal mouthpiece. These
tend to be much less stable and uncontrollable than their hard rubber
counterparts, and can easily produce unwanted squeaks and squawks. It
takes diligent practice with a metal mouthpiece to get it "under
control." Some good hard rubber jazz mouthpieces include
Meyer, Otto Link, Berg Larsen, and Claude Lakey. You will have
several "facings" to choose from, and the larger the number,
the larger the facing (or the opening of the tip). Try to choose
a medium number (Meyer 5 or 6, for example, works great for alto players),
as they tend to be more similar to the classical mouthpieces with which
your students are familiar.
Reeds
Reeds are, unfortunately, a necessary
evil of saxophone playing. A
box of 10 reeds, regardless of the fact that they are of the same strength,
will have 10 completely different-feeling reeds; depending on one's personal
tastes, you are lucky to find five that you really like. Nonetheless,
some brands of reeds are certainly better than others. For classical
playing, I highly recommend the classic Vandoren reeds (in the blue box). Some
other reeds that perform satisfactorily in the classical medium include
Hemke, LaVoz, and Glotin.
For
jazz playing, the following brands/types are popular: Rico Royal, Rico
Jazz Select, Vandoren V-16, Vandoren Java, and LaVoz.
Reed strength often depends
on the individual player, but students should be playing on at least
a 2-1/2 strength reed, preferably a 3. (LaVoz reeds are not organized
by number but contain indications such as Medium, Medium-Hard, etc.,
which can roughly correspond to these numbers.) Many students
feel that reed strength is an indication of the level of their playing
ability, but it certainly is not! Professionals play on reeds
that range from 2-1/2 to 4, so try to quash this notion when it rears
itself.
Horns
Student-model horns, such as Bundy or Vito, while quite inexpensive in comparison
to better horns, are of very poor quality. There are several models
of intermediate level horns that are satisfactory for the average student. Some
models to consider are the Selmer USA, Yamaha 52 or 62, or Yanagisawa. Several
stores are beginning to come out with their own brands of horns that are
very reasonably priced, but I know little about these specific horns so
can make no judgment on them. There are also lots of "gimmick" horns
such as those that are blue or red in color; again I know little about
these models.
For the more serious student
who will likely go into college as a music major, a professional-model
horn would be a great choice. Horns such as the Selmer Super
Action 80 and the Yamaha 875 ("Custom") are the most popular. Keilwerth
saxophones are also becoming quite popular, and while I have very limited
experience with these, the experience I have had with them has been
positive. All of these horns are quite expensive, depending on
the store from which you purchase them, but they could potentially
last a lifetime, and thus will make a great investment. One option
being explored by more and more people is to look for used horns that
are frequently posted at on-line auction sites. Selmer Mark VI's
are some of the most popular horns ever; since they are no longer made,
the only way to obtain one is to buy it used, and the internet is a
fabulous way to shop for used horns. While it is quite possible
that you may get a "lemon," it is also quite possible that
you find a great used horn for a good price.
Accessories
One of the most important accessories is a reed holder that stores the
reeds on a flat surface. The LaVoz Reed Guard will hold 2 or 4 reeds,
depending on the model, and is very inexpensive. Vandoren also makes
a relatively inexpensive reed case that stores them in a closed box. Other
reed holders are available, such as containers that will hold up to 12 reeds
and store them on a glass surface.
A neck strap does not need to be anything fancy. Some are made
with padding around the neck area and that is fine. Avoid those made
with elastic around the neck. Though they may feel better to many students,
they allow the horn to move up and down too much. For the larger horns
(tenor and baritone) you may want to consider using a harness. This
fits around the back and goes over the shoulders, alleviating the pressure
on the neck.
For cleaning the horn, a silk swab is the best thing to use. Avoid
the "Pad Saver" that stays in the horn, as it retains the moisture
on the pads and can damage them quickly. There are also neck swabs and
mouthpiece swabs available. Try to get your students to clean their horns
often! It is amazing how much "stuff" builds up inside the
mouthpiece and horn.
All of this equipment should be available from your local music retailer. There
are also lots of nationally-known retailers, such as the Woodwind and Brasswind and Giardinelli. Happy
hunting!